For all things are baptized at the font of eternity, and beyond good and evil; good and evil themselves, however, are but intervening shadows and damp afflictions and passing clouds.
In the real world in which we live, you always have to choose between evils. And in choosing between evils, you have to have moral criteria for how to make those choices.
Before the curing of a strong disease, Even in the instant of repair and health, The fit is strongest. Evils that take leave, On their departure most of all show evil.
There are a lot of true culturalists who respect where they're from, but you have some who are just all about the benjamins, like, "I wanna get my money, I wanna get mine, you get yours, more power to you," and they don't care. That deals with the whole thing of life, whether you're agreeable or disagreeable, the yin and the yang, the evil versus good. That's how it is in the music industry. There are people who care for the whole culture and what they're doing, and have love for it, and are not into just making money.
I could not help feeling that they were evil things-- mountains of madness whose farther slopes looked out over some accursed ultimate abyss. That seething , half-luminous cloud-background held ineffable suggestions of a vague, ethereal beyondness far more than terrestrially spatial; and gave appalling reminders of the utter remoteness, separateness, desolation, and aeon-long death of this untrodden and unfathomed austral world.
Since God is the highest good, he would not allow any evil to exist in his works unless his omnipotence and goodness were such as to bring good even out of evil.