It is known, to the force of a single pound weight, what the engine will do; but, not all the calculators of the National Debt can tell me the capacity for good or evil, for love or hatred, for patriotism or discontent, for the decomposition of virtue into vice, or the reverse.
For the good are always the merry, / Save by an evil chance,/ And the merry love the fiddle,/ And the merry love to dance: / And when the folk there spy me,/ They will all come up to me, / With,”Here is the fiddler of Dooney!” / And dance like a wave of the sea.
There are a lot of true culturalists who respect where they're from, but you have some who are just all about the benjamins, like, "I wanna get my money, I wanna get mine, you get yours, more power to you," and they don't care. That deals with the whole thing of life, whether you're agreeable or disagreeable, the yin and the yang, the evil versus good. That's how it is in the music industry. There are people who care for the whole culture and what they're doing, and have love for it, and are not into just making money.
Woe betide him, and her too, when it comes to things of consequence, when they are placed in circumstances requiring fortitude and strength of mind, if she have not resolution enough to resist idle interference ... It is the worst evil of too yielding and indecisive a character, that no influence over it can be depended on. You are never sure of a good impression being durable; everybody may sway it. Let those who would be happy be firm.
The greatest evils and the worst of crimes is poverty; our first duty, a duty to which every other consideration should be sacrificed, is not to be poor.