The ancient Poets animated all sensible objects with Gods or Geniuses, calling them by the names and adorning them with the properties of woods, rivers, mountains, lakes, cities, nations, and whatever their enlarged & numerous senses could perceive.
Observe how every truth and every error, each a thought of someone's mind, clothes itself with societies, houses, cities, language, ceremonies, newspapers
I am the way into the city of woe.
I am the way to a forsaken people.
I am the way into eternal sorrow.
Sacred justice moved my architect.
I was raised here by divine omnipotence,
Primordial love and ultimate intellect.
Only those elements time cannot wear
Were made before me, and beyond time I stand.
Abandon all hope ye who enter here.
In order for once to get a glimpse of our European morality from a distance, in order to compare it with other earlier or future moralities, one must do as the traveller who wants to know the height of the towers of a city: he leaves the city.
And all over the countryside, he knew, on every crest and hill, where once the hedges had interlaced, and cottages, churches, inns, and farmhouses had nestled among their trees, wind wheels similar to those he saw and bearing like vast advertisements, gaunt and distinctive symbols of the new age, cast their whirling shadows and stored incessantly the energy that flowed away incessantly through all the arteries of the city. ... The great circular shapes of complaining wind-wheels blotted out the heavens.
A very awkward situation occurs often in New York City when you are walking down a relatively empty sidewalk and there happens to be a person walking right next to you in the same direction as you at the exact same pace as you. I never know whether to pass or draft. It becomes sort of a strange competition.