I want to go and see things as a fan again. I am a fan, but I can't remember what it feels like to be a fan anymore. Because I've become an artist. I've become the artist.
You have, let us say, a promising politician, a rising artist that you wish to destroy. Dagger or bomb are archaic, clumsy and unreliable - but teach him, inoculate him with chess.
An artist's job is simply to take the mirror in front of your face and hold it there. It's not to give you any answers. It is simply to take that mirror and point it at you.
The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.
The mind of an artist, in order to achieve the prodigious effort of freeing whole and entire the work that is in him, must be incandescent...there must be no obstacle in it, no foreign matter unconsumed.
If you're an artist trying to put out your own record on your own label, it's hard to get a distribution deal because no one wants to sign a deal with one entity. They want to sign distribution deals with labels, who have lots of product, lots of artists.
My process for the parodies is that I get an idea for a song and then get approval from the artist and then go in and record it and probably try to get it out as soon as possible.
Since men do not really respect anything unless it was established long ago and has developed slowly over time, those who want tokeep on living after their death must take worry not only about their future generations but even more about their past: that is why tyrants of all kinds (including tyrannical artists and politicians) like to do violence to history, so that it will appear as a preparation and stepladder to themselves.
You know, it's no accident that the great painters came from areas like Europe where there is a lot of clouds and rain, which begets color and subtle washes of tone. Most great graphic artists come from areas with prevalent sun, where line and shadow are paramount.
While the aesthetics of consumption (photographic or otherwise) requires a heroicized myth of the artist, the exemplary practice of the player-off codes requires only an operator, a producer, a scriptor, or a pasticheur.
In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective.