Can I see some ID?" "WE DON'T HAVE ID," said Jay, loudly. "'CAUSE WE'RE CANADIAN. WE DON'T USE ID...THERE. AND THAT'S WHY WE LOOK SO YOUNG. 'CAUSE WE'RE CANADIAN." Doug stiffened. Jay sounded crazy. Doug tried looking extra sane to even things out.
If I go to the National Gallery and I look at one of the great paintings that excite me there, it's not so much the painting that excites me as that the painting unlocks all kinds of valves of sensation within me which return me to life more violently.
Beautifully shot, impeccably paced, it was a clear, unrelenting look at the National Trust, its friends and enemies, and it makes you want to burn your passport and beg the Luftwaffe to have another go.
After 9/11, we had to look at the world differently. After 9/11, we had to recognize that when we saw a threat, we must take it seriously before it comes to hurt us. In the old days we'd see a threat, and we could deal with it if we felt like it or not. But 9/11 changed it all.
Life, too, is like that. You live it forward, but understand it backward. It is only when you stop and look to the rear that you see the corpse caught under your wheel.