In the world of knowledge, the essential Form of Good is the limit of our inquiries, and can barely be perceived; but, when perceived, we cannot help concluding that it is in every case the source of all that is bright and beautiful -in the visible world giving birth to light and its master, and in the intellectual world dispensing, immediately and with full authority, truth and reason -and that whosoever would act wisely, either in private or in public, must set this Form of Good before his eyes.
We may like well to know what is Plato’s and what is Montesquieu’s or Goethe’s part, and what thought was always dear to the writer himself; but the worth of the sentences consists in their radiancy and equal aptitude to all intelligence. They fit all our facts like a charm. We respect ourselves the more that we know them.
Until philosophers are kings, or the kings and princes of this world have the spirit and power of philosophy, and political greatness and wisdom meet in one, and those commoner natures who pursue either to the exclusion of the other are compelled to stand aside, cities will never have rest from their evils - no, nor the human race, as I believe - and then only will this our State have a possibility of life and behold the light of day.
Arithmetic has a very great and elevating effect, compelling the soul to reason about abstract number, and rebelling against the introduction of visible or tngible objects into the argument.
For the introduction of a new kind of music must be shunned as imperiling the whole state; since styles of music are never disturbed without affecting the most important political institutions.
There is nothing that has caused me to meditate more on Plato's secrecy and sphinx-like nature, than the happily preserved petit fait that under the pillow of his death-bed there was found no 'Bible,' nor anything Egyptian, Pythagorean, or Platonic - but a book of Aristophanes. How could even Plato have endured life - a Greek life which he repudiated - without an Aristophanes!
Ornate rhetorick taught out of the rule of Plato.... To which poetry would be made subsequent, or indeed rather precedent, as being less suttle and fine, but more simple, sensuous, and passionate.