Surely there had been no figure leaning on the back of his chair; no face looking over it. It is certain that no gliding footstep touched the floor, as he lifted up his head, with a start, and spoke. And yet there was no mirror in the room on whose surface his own form could have cast its shadow for a moment; and, Something had passed darkly and gone!
Those who restrain desire, do so because theirs is weak enough to be restrained; and the restrainer or reason usurps its place & governs the unwilling. And being restrain'd it by degrees becomes passive till it is only the shadow of desire.
Alas for the affairs of men! When they are fortunate you might compare them to a shadow; and if they are unfortunate, a wet sponge with one dash wipes the picture away.
For pain is perhaps but a violent pleasure? Who could determine the point where pleasure becomes pain, where pain is still a pleasure? Is not the utmost brightness of the ideal world soothing to us, while the lightest shadows of the physical world annoy?
Indeed, what forces us at all to suppose that there is an essential opposition of 'true' and 'false'? Is it not sufficient to assume degrees of apparentness and, as it were, lighter and darker shadows and shades of appearance- different 'values', to use the language of painters?