I think anybody who's famous has to deal with their fame in their own way, and I dealt with it by making a film about a kid who's looking out into the world of celebrity obsession.
That's what we do on 'Entourage.' We embed ourselves in legitimate authentic moments so wherever the action is happening, we're taking pieces from that red carpet.
I think winter wear is communal. You get some gloves and a scarf from a lost-and-found box, wash them, wear them for a while until you lose them. Then somebody else does the same thing
I think it's important that we run that tension between the way things are, in terms of the way we're governed, and the way we sort of become complacent.