The pleasures of love proceed successively from a distich to a quatrain, from a quatrain to a sonnet, from a sonnet to a ballad, from a ballad to an ode, from an ode to a cantata, and from a cantata to a dithyramb. A husband who begins with the dithyramb is a fool.
Love is fed by the imagination, by which we become wiser than we know, better than we feel, nobler than we are: by which we can see life as a whole, by which and by which alone we can understand others in their real and their ideal relation. Only what is fine, and finely conceived can feed love. But anything will feed hate.
This senior-junior, giant-dwarf, Dan Cupid;
Regent of love-rhymes, lord of folded arms,
The anointed sovereign of sighs and groans,
Liege of all loiterers and malcontents.
But as to women, who can penetrate the real sufferings of their she condition? Man's very sympathy with their estate has much of selfishness and more suspicion. Their love, their virtue, beauty, education, but form good housekeepers, to breed a nation.
Love, according to our contemporary poets, is a privilege which two beings confer upon one another, whereby they may mutually cause one another much sorrow over absolutely nothing.
It seems to me that the chief thing about a woman - who is much of a woman - is that in the long run she is not to be had... She is not to be caught by any of the catch-words, love, beauty, honor, duty, worth, work, salvation - none of them - not in the long run. In the long run she only says Am I satisfied, or is there some beastly dissatisfaction gnawing and gnawing inside me. And if there is some dissatisfaction, it is physical, at least as much as psychic, sex as much as soul.