The unqualified truth is, that when I loved Estella with the love of a man, I loved her simply because I found her irresistible. Once for all; I knew to my sorrow, often and often, if not always, that I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be. Once for all; I love her none the less because I knew it, and it had no more influence in restraining me, than if I had devoutly believed her to be human perfection.
It is too often believed that a person in his progress towards perfection passes from error to truth; that when he passes on from one thought to another, he must necessarily reject the first. But no error can lead to truth. The soul passing through its different stages goes from truth to truth, and each stage is true; it goes from lower truth to higher truth.
But in the expression of the countenance, which was beaming all over with smiles, there still lurked (incomprehensible anomalyl) that fitful strain of melancholy which will ever be found inseparable from the perfection of the beautiful.
All perfection is there already in the soul. But this perfection has been covered up by nature; layer after layer of nature is covering this purity of the soul.
The best painters, as they progress in reputation and towards perfection, are found to dispense more and more with the technique of the art, for simpler methods. Simplicity never fails to charm.