These people are like ... a frog living in a well, who has never seen the outside world. He knows only his well, so he will not believe that there is such a thing as the world. Likewise, people talk so much about the world because they have not known the joy of God.
If the United States haven't grown poets, on any scale of grandeur, it is certain that they import, print, and read more poetry than any equal number of people elsewhere -- probably more than the rest of the world combined. Poetry (like a grand personality) is a growth of many generations -- many rare combinations. To have great poets, there must be great audiences too.
In a democratic scheme, money invested in the promotion of learning gives a tenfold return to the people even as a seed sown in good soil returns a luxuriant crop.
I have to make the very best judgments I can make in terms of what's gonna keep the American people safe. And is what, what's gonna uphold our Constitution and our traditions of due process.
Sometimes if I tell people, 'I'm afraid that I'm really a fraud,' or 'I have a lot of self-doubt,' they go, 'Oh, no, you're kidding.' I go, 'No, I'm really honest.'
The legitimate object of government is to do for a community of people whatever they need to have done, but can not do at all, or can not so well do, for themselves – in their separate, and individual capacities.
The budgets are runnin' low, the streets ain't really got money no more, things are just dryin' up; I just felt like people needed some motivation, so I took 'em "Overtime."
Oh and I thought, as i was dressing, how interesting it would be to describe the approach of age, and the gradual coming of death. As people describe love. To note every symptom of failure: but why failure? To treat age as an experience that is different from the others; and to detect every one of the gradual stages towards death which is a tremendous experience, an not as unconscious, at least in its approaches, as death is.
[Gold] gets dug out of the ground in Africa, or someplace. Then we melt it down, dig another hole, bury it again and pay people to stand around guarding it. It has no utility. Anyone watching from Mars would be scratching their head.
What brought me to Disney was the new regime, which is now the old regime, came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg, and all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.
When once married people begin to attack me with, 'Oh! you will think very differently, when you are married,' I can only say, 'No I shall not'; and then they say again, 'Yes you will,' and there is an end to it.