Why since I am myself subject to birth, ageing, disease, death, sorrows and defilement, do I seek after what is also subject to these things? Suppose, being myself subject these things, seeking danger in them, I were to seek the unborn, unageing, und.
He that seeketh to be eminent amongst able men hath a great task; but that is ever good for the public. But he that plots to be the only figure amongst ciphers is the decay of a whole age.
Therefore was I created with a stubborn outside, with an aspect of iron, that when I come to woo ladies, I fright them. But, in faith, Kate, the elder I wax, the better I shall appear. My comfort is that old age, that ill layer-up of beauty, can do no more spoil upon my face. Thou hast me, if thou hast me, at the worst, and thou shalt wear me, if thou wear me, better and better.
It appears, accordingly, from the experience of all ages and nations, I believe, that the work done by freemen comes cheaper in the end than that performed by slaves.
Over-sentimentality, over-softness, in fact washiness and mushiness are the great dangers of this age and of this people. Unless we keep the barbarian virtues, gaining the civilized ones will be of little avail.
Poets, not otherwise than philosophers, painters, sculptors, and musicians, are, in one sense, the creators, and, in another, the creations, of their age.
Here one must think profoundly to the very basis and resist all sentimental weakness: life itself is essentially appropriation, injury, conquest of the strange and weak, suppression, severity, obtrusion of peculiar forms, incorporation, and at the least, putting it mildest, exploitation - but why should one for ever use precisely these words on which for ages a disparaging purpose has been stamped?
There are things which some people never attempt during their whole lives, but one of these is not poetry. Poetry attacks all human beings sooner or later, and, like the measles, is mild or violent according to the age of the sufferer.