It has come to be practically a sort of rule in literature that a man, having once shown himself capable of original writing, is entitled thenceforth to steal from the writings of others at discretion.
What good is this body? Let it go in helping others. Did not the Master preach until the very end? And shall I not do the same? I do not care a straw if the body goes. You cannot imagine how happy I am when I find earnest seekers after truth to talk to. In the work of waking up Atman in my fellow men I shall gladly die again and again!
He reads much; He is a great observer and he looks Quite through the deeds of men: he loves no plays, As thou dost, Antony; he hears no music; Seldom he smiles, and smiles in such a sort As if he mock'd himself and scorn'd his spirit That could be moved to smile at any thing. Such men as he be never at heart's ease Whiles they behold a greater than themselves, And therefore are they very dangerous.
Riches, in the hands of a man that is wise and generous, are good for something, but in the hands of a sordid, sneaking, covetous miser, they are good for nothing.
Not to admire, is all the art I know To make men happy, or to keep them so. Thus Horace wrote we all know long ago; And thus Pope quotes the precept to re-teach From his translation; but had none admired, Would Pope have sung, or Horace been inspired?
There are three friendships which are advantageous, and three which are injurious. Friendship with the upright; friendship with the sincere; and friendship with the man of much observation: these are advantageous. Friendship with the man of specious airs; friendship with the insinuatingly soft; and friendship with the glib-tongued: these are injurious.
You see them? You see the things that float and flop about you and through you ever moment of your life? You see the creatures that form what men call the pure air and the blue sky? Have I not succeeded in breaking down the barrier; have I not shown you worlds that no other living men have seen?