There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
And the white rose weeps, "She is late;"
The larkspur listens, "I hear; I hear;"
And the lily whispers, "I wait."
I sometimes hold it half a sin To put in words the grief I feel For words, like nature, half reveal And half conceal the soul within. But, for the unquiet heart and brain A use measured language lie's The sad mechanic exercise Like dull narcotic's, numbing pain In words, like weeds, I'll wrap me o'er Like coarsest clothes against the cold But large grief which these enfold Is given in outline and no more.
Tis not your work, but Love's. Love, unperceived, A more ideal Artist he than all, Came, drew your pencil from you, made those eyes Darker than the darkest pansies, and that hair More black than ashbuds in the front of March.
Dear as remembered kisses after death, And sweet as those by hopeless fancy feign'd On lips that are for others; deep as love, Deep as first love, and wild with all regret; O Death in Life, the days that are no more!
Who is this? And what is here? And in the lighted palace near Died the sound of royal cheer; And they crossed themselves for fear, All the Knights at Camelot; But Lancelot mused a little space He said, "She has a lovely face; God in his mercy lend her grace, The Lady of Shalott.
Every man at time of Death,
Would fain set forth some saying that may live
After his death and better humankind;
For death gives life's last word a power to live,
And, lie the stone-cut epitaph, remain
After the vanished voice, and speak to men.
And so the Word had breath, and wrought With human hands the creed of creeds In loveliness of perfect deeds, More strong than all poetic thoughts; Which he may read that binds the sheaf, Or builds the house, or digs the grave, And those wild eyes that watch the waves In roarings round the coral reef.