Poetry is not like reasoning, a power to be exerted according to the determination of the will. A man cannot say, 'I will compose poetry.' The greatest poet even cannot say it; for the mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness...and the conscious portions of our natures are unprophetic either of its approach or its departure.
To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy Power, which seems Omnipotent; To love, and bear; to hope, till Hope creates From its own wreck the thing it contemplates; Neither to change, nor falter, nor repent; This, like thy glory, Titan, is to be Good, great and joyous, beautiful and free; This is alone Life, Joy, Empire, and Victory.
Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.
Let me set my mournful ditty To a merry measure; Thou wilt never come for pity, Thou wilt come for pleasure; Pity then will cut away Those cruel wings, and thou wilt stay.
O cease! must hate and death return, Cease! must men kill and die? Cease! drain not to its dregs the urn Of bitter prophecy. The world is weary of the past, Oh, might it die or rest at last!
He has outsoared the shadow of our night; envy and calumny and hate and pain, and that unrest which men miscall delight, can touch him not and torture not again; from the contagion of the world's slow stain, he is secure.
So soon as this want or power [of love] is dead, man becomes the living sepulchre of himself, and what yet survives is the mere husk of what once he was.