If there's a gun on the wall in act one, scene one, you must fire the gun by act three, scene two. If you fire a gun in act three, scene two, you must see the gun on the wall in act one, scene one.
Useless pursuits and conversations always about the same things absorb the better part of one's time, the better part of one's strength, and in the end there is left a life grovelling and curtailed, worthless and trivial, and there is no escaping or getting away from it—just as though one were in a madhouse or prison.
There will come a time when everybody will know why, for what purpose, there is all this suffering, and there will be no more mysteries. But now we must live ... we must work, just work!
"Do you know," Ivan Bunin recalls Anton Chekhov saying to him in 1899, near the end of his too-short life, "for how many years I shall be read? Seven." "Why seven?" Bunin asked. "Well," Chekhov answered, "seven and a half then."
When one sees one of the romantic creatures before him he imagines he is looking at some holy being, so wonderful that its one breath could dissolve him in a sea of a thousand charms and delights; but if one looks into the soul -- it's nothing but a common crocodile.
At the door of every happy person there should be a man with a hammer whose knock would serve as a constant reminder of the existence of unfortunate people.
There are people whom even children's literature would corrupt. They read with particular enjoyment the piquant passages in the Psalter and in the Wisdom of Solomon.