Art is the child of Nature; yes, Her darling child, in whom we trace The features of the mother's face, Her aspect and her attitude, All her majestic loveliness Chastened and softened and subdued Into a more attractive grace, And with a human sense imbued. He is the greatest artist, then, Whether of pencil or of pen, Who follows Nature.
To-day, to-morrow, every day, to thousands the end of the world is close at hand. And why should we fear it? We walk here, as it were, in the crypts of life; at times, from the great cathedral above us, we can hear the organ and the chanting choir; we see the light stream through the open door, when some friend goes up before us; and shall we fear to mount the narrow staircase of the grave that leads us out of this uncertain twilight into life eternal?
There rises the moon, broad and tranquil, through the branches of a walnut tree on a hill opposite. I apostrophize it in the words of Faust; "O gentle moon, that lookest for the last time upon my agonies!" --or something to that effect.
But the nearer the dawn the darker the night, And by going wrong all things come right. Things have been mended that were worse, and the the worse, the nearer they are to mend.
Still stands the forest primeval; but far away from its shadow, Side by side, in their nameless graves, the lovers are sleeping.Under the humble walls of the little catholic churchyard,In the heart of the city, they lie, unknown and unnoticed;Daily the tides of life go ebbing and flowing beside them,Thousands of throbbing hearts, where theirs are at rest and forever,Thousands of aching brains, where theirs no longer are busy,Thousands of toiling hands, where theirs have ceased from their labors,Thousands of weary feet, where theirs have completed their journey!