As great Pythagoras of yore,
Standing beside the blacksmith's door,
And hearing the hammers, as they smote
The anvils with a different note,
Stole from the varying tones, that hung
Vibrant on every iron tongue,
The secret of the sounding wire.
And formed the seven-chorded lyre.
More and more do I feel, as I advance in life, how little we really know of each other. Friendship seems to me like the touch of musical-glasses--it is only contact; but the glasses themselves, and their contents, remain quite distinct and unmingled.
The shadows of the mind are like those of the body. In the morning of life they all lie behind us; at noon we trample them under foot; and in the evening they stretch long, broad, and deepening before us.
Some critics are like chimney-sweepers; they put out the fire below, and frighten the swallows from their nests above; they scrape a long time in the chimney, cover themselves with soot, and bring nothing away but a bag of cinders, and then sing from the top of the house as if they had built it.
The highest exercise of imagination is not to devise what has no existence, but rather to perceive what really exists, though unseen by the outward eye-not creation, but insight.
In the life of every man there are sudden transitions of feeling, which seem almost miraculous. At once, as if some magician had touched the heavens and the earth, the dark clouds melt into the air, the wind falls, and serenity succeeds the storm. The causes which produce these changes may have been long at work within us, but the changes themselves are instantaneous, and apparently without sufficient cause.
See yonder fire! It is the moon slow rising o'er the eastern hill. It glimmers on the forest tips, and through the dewy foliage drips In little rivulets of light, and makes the heart in love with night.
Ah me! what wonder-working, occult science Can from the ashes in our hearts once more The rose of youth restore? What craft of alchemy can bid defiance To time and change, and for a single hour Renew this phantom-flower?