The secret of Greek Art is its imitation of nature even to the minutest details; whereas the secret of Indian Art is to represent the ideal. The energy of the Greek painter is spent in perhaps painting a piece of flesh, and he is so successful that a dog is deluded into taking it to be a real bit of meat and so goes to bite it. Now, what glory is there in merely imitating nature? Why not place an actual bit of flesh before the dog?
The poor dog, in life the firmest friend, The first to welcome, foremost to defend, Whose honest heart is still the master's own, Who labours, fights, lives, breathes for him alone, Unhonour'd falls, unnoticed all his worth, Denied in heaven the soul he held on earth, While man, vain insect hopes to be forgiven, And claims himself a sole exclusive heaven.
Many friends have said to me, 'I never know when you write your books, because I've never seen you writing, or even seen you go away to write.' I must behave rather as dogs do when they retire with a bone; they depart in a secretive manner and you do not see them again for an odd half hour. They return self-consciously with mud on their noses. I do much the same.
Near this spot are deposited the remains of one who possessed beauty without vanity, strength without insolence, courage without ferocity, and all the virtues of man, without his vices. This praise, which would be unmeaning flattery if inscribed over human ashes, is but a just tribute to the memory of Botswain, a dog.
It seems increasingly dogs are attacking humans in response to their slavery... AND, wildlife in captivity are also attacking their enslavers AND the public... Their messages are loud and clear: LET US OUT AND LEAVE US ALONE!!!
Wherefore, I beseech you let the dog and the onions and these people of the strange and godless names work out their several salvations from their piteous and wonderful difficulties without help of mine, for indeed their trouble is sufficient as it is, whereas an I tried to help I should but damage their cause the more and yet mayhap not live myself to see the desolation wrought.
If fame belonged to me, I could not escape her; if she did not, the longest day would pass me on the chase, and the approbation of my dog would forsake me.
In descriptions of Nature one must seize on small details, grouping them so that when the reader closes his eyes he gets a picture. For instance, you'll have a moonlit night if you write that on the mill dam a piece of glass from a broken bottle glittered like a bright little star, and that the black shadow of a dog or a wolf rolled past like a ball.
I can forgive even that wrong of wrongs,
Those undreamt accidents that have made me
Seeing that Fame has perished this long while,
Being but a part of ancient ceremony
Notorious, till all my priceless things
Are but a post the passing dogs defile.