It is only now and then, in a jungle, or amidst the towering white menace of a burnt or burning Australian forest, that Nature strips the moral veils from vegetation and we apprehend its stark ferocity.
How many times it thundered before Franklin took the hint! How many apples fell on Newton's head before he took the hint! Nature is always hinting at us. It hints over and over again. And suddenly we take the hint.
Upon the purple tree-tops far away, and on the green height near at hand up which the shades were slowly creeping, there was an equal hush. Between the real landscape and its shadow in the water, there was no division; both were so untroubled and clear, and, while so fraught with solemn mystery of life and death, so hopefully reassuring to the gazer's soothed heart, because so tenderly and mercifully beautiful.
The seeming significance of nature's appearances, their unchanging strangeness to the senses, and the thrilling response which they awaken in the mind of man . . . If we could only write near enough to the facts, and yet with no pedestrian calm, but ardently, we might transfer the glamour of reality direct upon our pages.
The white face of the winter day came sluggishly on, veiled in a frosty mist; and the shadowy ships in the river slowly changed to black substances; and the sun, blood-red on the eastern marshes behind dark masts and yards, seemed filled with the ruins of a forest it had set on fire.
Green in nature is one thing, green in literature another. Nature and letters seem to have a natural antipathy; bring them together and they tear each other to pieces.