I cannot marry the facts of William Shakespeare to his verse: Other men had led lives in some sort of keeping with their thought, but this man is in wide contrast.
A sympathetic person is placed in the dilemma of a swimmer among drowning men, who all catch at him, and if he gives so much as a leg or a finger, they will drown him.
An expense of ends to means is fate;Morganization tyrannizing over character. The menagerie, or forms and powers of the spine, is a book of fate: the bill of the bird, the skull of the snake, determines tyrannically its limits.
It is in the stomach of plants that development begins, and ends in the circles of the universe. 'Tis a long scale from the gorilla to the gentleman,--from the gorilla to Plato, Newton, Shakespeare,--to the sanctities of religion, the refinements of legislation, the summit of science, art, and poetry. The beginnings are slow and infirm, but it is an always accelerated march.
Our country, customs, laws, our ambitions, and our notions of fit and fair-all these we never made; we found them ready-made; we but quote from them. What would remain to me if this art of appropriation were derogatory to genius? Every one of my writings has been furnished to me by a thousand different persons, a thousand things; wise and foolish have brought me, without suspecting it, the offering of their thoughts, faculties, and experience. My work is an aggregation of beings taken from the whole of nature. It bears the name of Goethe.
But the man and woman of seventy assume to know all, they have outlived their hope, they renounce aspiration, accept the actual for the necessary and talk down to the young. Let them then become organs of the Holy Ghost; let them be lovers; let them behold truth; and their eyes are uplifted, their wrinkles smoothed, they are perfumed again with hope and power.