Say, what other metre is it
Than the meeting of the eyes?
Nature poureth into nature
Through the channels of that feature
Riding on the ray of sight,
Fleeter far than whirlwinds go,
Or for service, or delight,
Hearts to hearts their meaning show.
We believe that the defects of so many perverse and so many frivolous people, who make up society, are organic, and society is a hospital of incurables.
It is rare to find a man who believes in his own thoughts or speaks that which he is created to say. As nothing astonishes men so much as common sense and plain dealing, so nothing is more rare in any man than an act of his own...feel yourself, and be not daunted by things...The light by which we see this world comes out from the soul of the observer.
We are as much strangers in nature, as we are aliens from God. We do not understand the notes of birds. The fox and the deer run away from us; the bear and tiger rend us. We do not know the uses of more than a few plants, as corn and the apple, the potato and the vine. Is not the landscape, every glimpse of which hath a grandeur, a face of him?
Polarity, or action and reaction, we meet in every part of nature; in darkness and light; in heat and cold; in the ebb and flow of water; in male and female; in the equation of quantity and quality; in the fluids of the animal body; in the systole an
The glance is natural magic. The mysterious communication established across a house between two entire strangers, moves all the springs of wonder. The communication by the glance is in the greatest part not subject to the control of the will. It is the bodily symbol of identity with nature. We look into the eyes to know if this other form is another self, and the eyes will not lie, but make a faithful confession what inhabitant is there.
Men are not philosophers, but are rather very foolish children, who, by reason of their partiality, see everything in the most absurd manner, and are the victims at all times of the nearest object. There is even no philosopher who is a philosopher at all times. Our experience, our perception is conditioned by the need to acquire in parts and in succession, that is, with every truth a certain falsehood.
The poet, the painter, the sculptor, the musican, the architect, seek each to concentrate this radiance of the world on one point, and each in his several work to satisfy the love of beauty which stimulates him to produce.
And what avails it that science has come to treat space and time as simply forms of thought, and the material world as hypothetical, and withal our pretension of property and even of self-hood are fading with the rest, if, at last, even our thoughts are not finalities, but the incessant flowing and ascension reach these also, and each thought which yesterday was a finality, to-day is yielding to a larger generalization?