What between the duties expected of one during one's lifetime, and the duties exacted from one after one's death, land has ceased to be either a profit or a pleasure. It gives one position, and prevents one from keeping it up. That's all that can be said about land.
When we look at women, we have to look at the significance of their work in a different way from the way we look at it with men. Women have more often worked within the home, working equally as hard, I would argue, but not always out there where they're counted, not always up there in the labor unions, certainly not in leadership positions.
When I speak of home, I speak of the place where in default of a better--those I love are gathered together; and if that place where a gypsy's tent, or a barn, I should call it by the same good name notwithstanding.
Dying is a very simple thing. I've looked at death and really I know. If I should have died it would have been very easy for me. Quite the easiest thing I ever did. But the people at home do not realize that. They suffer a thousand times more.
Beside all the moral benefit which we may expect from the farmer's profession, when a man enters it considerately, this promised the conquering of the soil, plenty, and beyond this, the adorning of the country with every advantage and ornament which labor, ingenuity, and affection for a man's home, could suggest.
Anxiously you ask, 'Is there a way to safety? Can someone guide me? Is there an escape from threatened destruction?' The answer is a resounding yes! I counsel you: Look to the lighthouse of the Lord. There is no fog so dense, no night so dark, no gale so strong, no mariner so lost but what its beacon light can rescue. It beckons through the storms of life. It calls, 'This way to safety; this way to home.
The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass
I love Chatsworth, Winchester Cathedral, Edinburgh Castle... Every time I'm in the vicinity of something old and worth looking at, I try to go. You don't even have to leave your home town to see some places. How many Londoners have seen the crown jewels? Not many, and they'll blow you away, I promise.
I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and its subject is esteemed so dry, that I delight in throwing it at the heads of the wiseacres who repeat the parrot cry that art should never be didactic. It goes to prove my contention that art should never be anything else.