One could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? express that emptiness there?
What truth? You see where truth is, and where untruth is, but I seem to have lost my sight and see nothing. You boldly settle all important questions, but tell me, dear, isn't it because you're young, because you haven't had time to suffer till you settled a single one of your questions? You boldly look forward, isn't it because you cannot foresee or expect anything terrible, because so far life has been hidden from your young eyes? You are bolder, more honest, deeper than we are, but think only, be just a little magnanimous, and have mercy on me.
I can't sleep without knowing there's hope. Half the night I waste in sighs. In a wakeful doze I sorrow. For the hands, for the lips... the eyes. For the meeting of tomorrow.
Children are always looking at the world as if it was for the first time in their lives. So, we should always look to the world with the eyes of a child. I am not saying be naive, I am saying be innocent in the sense of discovering things.
I've seen that many times in rural African villages where people have nothing but a hut and a bowl. The joy in the children's eyes is something you wish you could package and bring back to America.
Sight is the least sensual of all the senses. And we strain ourselves to see, see, see--everything, everything through the eye, inone mode of objective curiosity.
Free from gross passion or of mirth of anger constant spirit, not swerving with the blood, garnish'd and deck'd in modest compliment, not working with the eye without the ear, and but in purged judgement trusting neither? Such and so finely bolted didst thou seem.
I have been told by persons of experience in matters of taste, that the fashions follow a law of gradation, and are never arbitrary. The new mode is always only a step onward in the same direction as the last mode; and a cultivated eye is prepared for and predicts the new fashion.