There was never any more inception than there is now,
Nor any more youth or age than there is now;
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.
The wild gander leads his flock through the cool night, Ya-honk! he says, and sounds it down to me like an invitation: The pert may suppose it meaningless, but I listen closer, I find its purpose and place up there toward the November sky.
Press close, bare-bosomed Night! Press close, magnetic,
nourishing Night!
Night of south winds! Night of the large, few stars!
Still, nodding Night! Mad, naked, Summer Night!
Loafe with me on the grass—loose the stop from your throat; Not words, not music or rhyme I want—not custom or lecture, not even the best; Only the lull I like, the hum of your valved voice.
At times it has been doubtful to me if Emerson really knows or feels what Poetry is at its highest, as in the Bible, for instance, or Homer or Shakspeare. I see he covertly or plainly likes best superb verbal polish, or something old or odd
I believe a leaf of grass is no less than the journeywork of the stars, And the pismire is equally perfect, and a grain of sand, and the egg of the wren, And the tree toad is a chef-d'oeurve for the highest, And the running blackberry would adorn the parlors of heaven, And the narrowest hinge in my hand puts to scorn all machinery, And the cow crunching with depress'd head surpasses any statue, And a mouse is miracle enough to stagger sextillions of infidels!
O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?