Sometimes with one I love, I fill myself with rage, for fear I effuse unreturn'd love; But now I think there is no unreturn'd love—the pay is certain, one way or another; (I loved a certain person ardently, and my love was not return'd; Yet out of that, I have written these songs.)
When lilacs last in the dooryard bloom'd / And the great star early droop'd in the western sky in the night, / I mourn'd, and yet shall mourn with ever-returning spring.
Day full-blown and splendid-day of the immense sun, action, ambition, laughter, The Night follows close with millions of suns, and sleep and restoring darkness.
I see the President almost every day. I see very plainly Abraham Lincoln's dark brown face with its deep-cut lines, the eyes always to me with a deep latent sadness in the expression. None of the artists or pictures has caught the deep, though subtle and indirect expression of this man's face. There is something else there. One of the great portrait painters of two or three centuries ago is needed.
My ties and ballasts leave me - I travel - I sail - My elbows rest in the sea-gaps. I skirt the sierras. My palms cover continents - I am afoot with my vision.
Why are there men and women that while they are nigh me the sunlight expands my blood? Why when they leave me do my pennants of joy sink flat and lank?
The secret of it all, is to write in the gush, the throb, the flood, of the moment – to put things down without deliberation – without worrying about their style – without waiting for a fit time or place. I always worked that way. I took the first scrap of paper, the first doorstep, the first desk, and wrote – wrote, wrote…By writing at the instant the very heartbeat of life is caught.