She didn't give George any too easy a time when she was alive. She was one of those semi-invalids – I believe she had really something wrong with her, but whatever it was she played it for all it was worth. She was capricious, exacting, unreasonable. She complained from morning to night. George was expected to wait on her, hand and foot and everything he did was always wrong and he got cursed for it. Most men, I'm fully convinced, would have hit her with a hatchet long ago.
I didn't want to work. It was as simple as that. I distrusted work, disliked it. I thought it was a very bad thing that the human race had unfortunately invented for itself.
I have wanted . . . to commit a murder myself. I recognized this as the desire of the artist to express himself! . . . But-incongruous as it may seem to some-I was restrained and hampered by my innate sense of justice. The innocent must not suffer.
It's a mystery to me how anyone ever gets any nourishment in this place. They must eat their meals standing up by the window so as to be sure of not missing anything.
I know nothing about pistols and revolvers, which is why I usually kill off my characters with a blunt instrument or better with poisons. Besides, poisons are neat and clean and really exciting... I do not think I could look a really ghastly mangled body in the face. It is the means that I am interested in. I do not usually describe the end, which is often a corpse.
There is nothing so dangerous for anyone who has something to hide as conversation!... A human being, Hastings, cannot resist theopportunity to reveal himself and express his personality which conversation gives him. Every time he will give himself away.
You are the patient one, Mademoiselle,' said Poirot to Miss Debenham. She shrugged her shoulders slightly. 'What else can one do?' You are a philosopher, Mademoiselle.' That implies a detached attitude. I think my attitude is more selfish. I have learned to save myself useless emotion.