These Greek capitals, black with age, and quite deeply graven in the stone, with I know not what signs peculiar to Gothic calligraphy imprinted upon their forms and upon their attitudes, as though with the purpose of revealing that it had been a hand of the Middle Ages which had inscribed them there, and especially the fatal and melancholy meaning contained in them, struck the author deeply.
The day that a woman who is passing before you sheds a light upon you as she goes, you are lost, you love. You have then but one thing to do: to think of her so earnestly that she will be compelled to think of you.
The beginning as well as the end of all his thoughts was hatred of human law, that hatred which, if it be not checked in its growth by some providential event, becomes, in a certain time, hatred of society, then hatred of the human race, and then hatred of creation, and reveals itself by a vague and incessant desire to injure some living being, it matters not who.
In the relations of man with the animals, with the flowers, with all the objects of creation, there is a whole great ethic, scarcely perceived as yet, which will at length break through into the light, and which will be the corollary and the complement to human ethics.
I believe, sir, in all the progress. Air navigation is the result of the oceanic navigation: from water the human has to pass in the air. Everywhere where creation will be breathable to him, the human will penetrate into the creation. Our only limit is life.
When grace combines with wrinkles, it is admirable. There is an indescribable light of dawn about intensely happy old age. . . . The young person is handsome, but the old, superb.
Great blunders are often made, like large ropes, of a multitude of fibers. Take the cable thread by thread, take separately all the little determining motives, you break them one after another, and you say: that is all! Wind them and twist them together, they become an enormity.