The word Gothic, in the sense in which it is generally employed, is wholly unsuitable, but wholly consecrated. Hence we accept it and we adopt it, like all the rest of the world, to characterize the architecture of the second half of the Middle Ages, where the ogive is the principle which succeeds the architecture of the first period, of which the semi-circle is the father.
Dry happiness is like dry bread. We eat, but we do not dine. I wish for the superfluous, for the useless, for the extravagant, for the too much, for that which is not good for anything.
Astronomy, that micography of heaven, is the most magnificent of the sciences. ... Astronomy has its clear side and its luminous side; on its clear side it is tinctured with algebra, on its luminous side with poetry.
Love has no middle term; either it destroys, or it saves. All human destiny is this dilemma. This dilemma, destruction or salvation, no fate proposes more inexorably than love. Love is life, if it is not death. Cradle; coffin, too. The same sentiment says yes and no in the human heart. Of all the things God has made, the human heart is the one that sheds most light, and alas! most night.
History has its truth, and so has legend. Legendary truth is of another nature than historical truth. Legendary truth is invention whose result is reality. Furthermore, history and legend have the same goal; to depict eternal man beneath momentary man.
If he had had all Peru in his pocket, he would certainly have given it to this dancer; but Gringoire had not Peru in his pocket; and besides, America was not yet discovered. (p. 66)