Imaginative, sanguine men will never recognize that in negotiations the most dangerous moment of all is when everything is moving according to their wishes.
Coffee falls into the stomach... ideas begin to move, things remembered arrive at full gallop... the shafts of wit start up like sharp-shooters, similes arise, the paper is covered with ink...
It would be curious to know what leads a man to become a stationer rather than a baker, when he is no longer compelled, as among the Egyptians, to succeed to his father's craft.
[Raphael's] great superiority is due to the instinctive sense which, in him, seems to desire to shatter form. Form is, in his figures, what it is in ourselves, an interpreter for the communication of ideas and sensations, an exhaustless source of poetic inspiration. Every figure is a world in itself, a portrait of which the original appeared in a sublime vision, in a flood of light, pointed to by an inward voice, laid bare by a divine finger which showed what the sources of expression had been in the whole past life of the subject.
Woman is a delightful instrument of pleasure, but it is necessary to know its trembling strings, to study the position of them, the timid keyboard, the fingering so changeful and capricious which befits it.