Marriage is a fierce battle before which the two partners ask heaven for its blessing, because loving each other is the most audacious of enterprises; the battle is not slow to start, and victory, that is to say freedom, goes to the cleverest.
[Raphael's] great superiority is due to the instinctive sense which, in him, seems to desire to shatter form. Form is, in his figures, what it is in ourselves, an interpreter for the communication of ideas and sensations, an exhaustless source of poetic inspiration. Every figure is a world in itself, a portrait of which the original appeared in a sublime vision, in a flood of light, pointed to by an inward voice, laid bare by a divine finger which showed what the sources of expression had been in the whole past life of the subject.
When a woman starts talking about her duty, her regard for appearances, and her respect for religion, she raises so many bulwarks which she delights to see captured by storm.
Marriageable girls as well as mothers understand the terms and perils of the lottery called wedlock. That is why women weep at a wedding and men smile.
If you are to judge a man, you must know his secret thoughts, sorrows, and feelings; to know merely the outward events of a man's life would only serve to make a chronological table-a fool's notion of history.
According to man's environment, society has made as many different types of men as there are varieties in zoology. The differences between a soldier, a workman, a statesman, a tradesman, a sailor, a poet, a pauper and a priest, are more difficult to seize, but quite considerable as the differences between a wolf, a lion, an ass, a crow, a sea-calf, a sheep, and so on.