This surface good-nature which captivates a new acquaintance and is no bar to treachery, which knows no scruple and is never at fault for an excuse, which makes an outcry at the wound which it condones, is one of the most distinctive features of the journalist. This camaraderie (the word is a stroke of genius) corrodes the noblest minds; it eats into their pride like rust, kills the germ of great deeds, and lends a sanction to moral cowardice.
The secret of the nobility and beauty of great ladies lies in the art with which they can shed their veils. In such situations, they become like ancient statues. If they kept the merest scarf on, they would be lewd. Your bourgeois woman will always try to cover her nakedness.
Beaucoup d'hommes ont un orgueil qui les pousse a' cacher leurs combats et a' ne se montrer que victorieux. Many men have pride that causes them to hide their combats and to only show themselves victorious.
A grass blade believes that men build palaces for it to grow in. Grass wedges its way between the closest blocks of marble and it brings them down. This power of feeble life which can creep in anywhere is greater than that of the mighty behind their cannons.
However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will?
If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent.
Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.
Nothing can afford a woman greater pleasure than to hear tender words of love. The strictest, most devout woman will listen even if she must not answer.
With every one, the expectation of a misfortune constitutes a dreadful, punishment. Suffering then assumes the proportions of the unknown, which is the soul's infinite.
One of the glories of society is to have created woman where Nature had made only a female; to have created a continuity of desire where Nature thought only of perpetuating the species; and, in fine, to have invented love.