A clever general... avoids an army when its spirit is keen, but attacks it when it is sluggish and inclined to return. This is the art of studying moods. Disciplined and calm, he awaits the appearance of disorder and hubbub among the enemy. This is the art of retaining self-possession.
In fact, the whole of Japan is a pure invention. There is no such country, there are no such people.... The Japanese people are ... simply a mode of style, an exquisite fancy of art.
The business of art lies just in this, -- to make that understood and felt which, in the form of an argument, might be incomprehensible and inaccessible.
All Nature is but art, unknown to thee All chance, direction, which thou canst not see; All discord, harmony not understood; All partial evil, universal good.
By arts, sails, and oars, ships are rapidly moved; arts move the
light chariot, and establish love.
[Lat., Arte citae veloque rates remoque moventur;
Arte levis currus, arte regendus Amor.]
The essential factor of military success is speed, that is taking advantage of others' unpreparedness or lack of foresight, their failure to catch up, going by routes they do not expect, attacking where they are not on guard. This you cannot accomplish with hesitation.
Death be not proud, though some have called thee Mighty and dreadful, for thou art not so. For, those, whom thou think'st thou dost overthrow. Die not, poor death, nor yet canst thou kill me.
The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula for that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.
Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.