The Master keeps her mind always at one with the Tao; that is what gives her her radiance. The Tao is ungraspable. How can her mind be at one with it? Because she doesn't cling to ideas. The Tao is dark and unfathomable. How can it make her radiant? Because she lets it. Since before time and space were, the Tao is. It is beyond is and is not. How do I know this is true? I look inside myself and see.
... the spring, the summer, The chilling autumn, angry winter, change Their wonted liveries; and the mazed world By their increase, now knows not which is which.
Twilight and evening bell, And after that the dark! And may there be no sadness of farewell, When I embark; For though from out our bourne of Time and Place The flood may bear me far, I hope to see my Pilot face to face When I have crossed the bar.
In the old times men carried out their rights for themselves as they lived, but nowadays every baby seems born with a social manifesto in its mouth much bigger than itself.
Expulsion from Paradise is in its main aspect eternal: that is to say, although expulsion from Paradise is final, and life in theworld unavoidable, the eternity of the process (or, expressed in temporal terms, the eternal repetition of the process) nevertheless makes it possible not only that we might remain in Paradise permanently, but that we may in fact be there permanently, no matter whether we know it here or not.
A cold coming we had of it, Just the worst time of the year For a journey, and such a long journey: The ways deep and the weather sharp, The very dead of winter.
In this world, there are two times. There is mechanical time and there is body time. The first is as rigid and metallic as a massive pendulum of iron that swings back and forth, back and forth, back and forth. The second squirms and wriggles like a bluefish in a bay. The first is unyielding, predetermined. The second makes up its mind as it goes along.