We grow hostile to many an artist or writer, not because we finally come to see he has deceived us, but because he thought no subtler means were required to ensnare us.
O Voltaire! O humanity! O idiocy! There is something ticklish in "the truth," and in the SEARCH for the truth; and if man goes about it too humanely-"il ne cherche le vrai que pour faire le bien"-I wager he finds nothing!
THE SLOW ARROW OF BEAUTY. The noblest kind of beauty is that which does not transport us suddenly, which does not make stormy and intoxicating impressions such a kind easily arouses disgust but that which slowly filters into our minds.
A good aphorism is too hard for the tooth of time, and is not worn away by all the centuries, although it serves as food for every epoch. Hence it is the greatest paradox in literature, the imperishable in the midst of change, the nourishment which always remains highly valued, as salt does, and never becomes stupid like salt.
All beings so far have created something beyond themselves; and do you want to be the ebb of this great flood and even go back to the beasts rather than overcome man? What is the ape to man? A laughingstock or a painful embarrassment. And man shall be just that for the overman: a laughingstock or a painful embarrassment.
Faced with a world of "modern ideas" which would like to banish everyone into a corner and a "specialty," a philosopher, if there could be a philosopher these days, would be compelled to establish the greatness of mankind, the idea of "greatness," on the basis of his own particular extensive range and multiplicity, his own totality in the midst of diversity.
The most vulnerable and yet most unconquerable of things is human vanity; nay, through being wounded its strength increases and can grow to giant proportions.
In the end things must be as they are and have always been--the great things remain for the great, the abysses for the profound, the delicacies and thrills for the refined, and, to sum up shortly, everything rare for the rare.