The architect represents neither a Dionysian nor an Apollinian condition: here it is the mighty act of will, the will which moves mountains, the intoxication of the strong will, which demands artistic expression. The most powerful men have always inspired the architects; the architect has always been influenced by power.
Without cruelty there is no festival: thus the longest and most ancient part of human history teaches and in punishment there is so much that is festive!
Without myth, however, every culture loses its healthy creative natural power: it is only a horizon encompassed with myth that rounds off to unity a social movement.
The desire for a strong faith is not the proof of a strong faith, rather the opposite. If one has it one may permit oneself the beautiful luxury of skepticism: one is secure enough, fixed enough for it.
For such is man: a Theological Dogma might be refuted to him a thousand times - provided however, that he had need of it, he would again and again accept it as true. Belief is always most desired, most pressingly needed where there is a lack of will. Fanaticism is the sole "volitional strength" to which the weak and irresolute can be excited, as a sort of hypnotising of the entire sensory-intellectual system.
Could truth perhaps be a woman who has reasons for not permitting her reasons to be seen? Could her name perhaps be--to speak Greek--Baubo?... Oh, those Greeks! They understood how to live: to do that it is necessary to stop bravely at the surface, the fold, the skin, to adore the appearance, to believe in forms, in tones, in words, in the whole Olympus of appearance! Those Greeks were superficial--out of profundity!
We laugh at a man who, stepping out of his room at the very minute when the sun is rising, says, “It is my will that the sun shall rise”; or at him who, unable to stop a wheel, says, “I wish it to roll”; or, again, at him who, thrown in a wrestling match, says, “Here I lie, but here I wish to lie.” But, joking apart, do we not act like one of these three persons whenever we use the expression “I wish”?
What is originality? To see something that is as yet without a name, that is as yet impossible to designate, even though it staresus in the face. The way it usually is with people, it is a thing's name that makes it perceptible to them in the first place.--For the most part, the original ones have also been the name-givers.