A good aphorism is too hard for the tooth of time, and is not worn away by all the centuries, although it serves as food for every epoch. Hence it is the greatest paradox in literature, the imperishable in the midst of change, the nourishment which always remains highly valued, as salt does, and never becomes stupid like salt.
Natural death is independent of all reason and is really an irrational death, in which the pitiable substance of the shell determines how long the kernel is to exist or not; in which, accordingly, the stunted, diseased and dull witted jailer is lord, and indicates the moment at which his distinguished prisoner shall die.
The various languages placed side by side show that with words it is never a question of truth, never a question of adequate expression; otherwise, there would not be so many languages. The 'thing in itself' (which is precisely what the pure truth, apart from any of its consequences, would be) is likewise something quite incomprehensible to the creator of language and something not in the least worth striving for.
What is originality? To see something that is as yet without a name, that is as yet impossible to designate, even though it staresus in the face. The way it usually is with people, it is a thing's name that makes it perceptible to them in the first place.--For the most part, the original ones have also been the name-givers.
O Voltaire! O humanity! O idiocy! There is something ticklish in "the truth," and in the SEARCH for the truth; and if man goes about it too humanely-"il ne cherche le vrai que pour faire le bien"-I wager he finds nothing!