There are the terrible ones who carry about in themselves the beast of prey, and have no choice except lusts or self-laceration. And even their lusts are self-laceration.
Whoever aims publicly at great things and at length perceives secretly that he is too weak to achieve them, has usually also insufficient strength to renounce his aims publicly, and then inevitably becomes a hypocrite.
It may be that until now there has been no more potent means for beautifying man himself than piety: it can turn man into so much art, surface, play of colors, graciousness that his sight no longer makes one suffer.---
How much reverence has a noble man for his enemies!--and such reverence is a bridge to love.--For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture "the enemy" as the man of ressentiment conceives him--and here precisely is his deed, his creation: he has conceived "the evil enemy," "the Evil One," and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a "good one"--himself!
I condemn Christianity; I bring against the Christian Church the most terrible of all accusations that an accuser has ever had in his mouth. It is, to me, the greatest of all imaginable corruptions; it seeks to work the ultimate corruption, the worse possible corruption. The Christian Church has left nothing untouched by its depravity; it has turned every value into worthlessness, and every truth into a lie, and every integrity into baseness of soul.
... hitherto we have been permitted to seek beauty only in the morally good - a fact which sufficiently accounts for our having found so little of it and having had to seek about for imaginary beauties without backbone! - As surely as the wicked enjoy a hundred kinds of happiness of which the virtuous have no inkling, so too they possess a hundred kinds of beauty; and many of them have not yet been discovered.
The form of a work of art, which gives speech to their thoughts and is, therefore, their mode of talking, is always somewhat uncertain, like all kinds of speech.