We do not by any means think it desirable that the kingdom of righteousness and peace should be established on earth (because under any circumstances it would be the kingdom of the profoundest mediocrity and Chinaism); we rejoice in all men, who like ourselves love danger, war and adventure, who do not make compromises, nor let themselves be captured, conciliated and stunted; we count ourselves among the conquerors; we ponder over the need of a new order of things, even of a new slavery for every strengthening and elevation of the type "man" also involves a new form of slavery.
This sign I give you: every people speaks its tongue of good and evil, which the neighbor does not understand. It has invented its own language of customs and rights.
A noble soul is not the one that can manage the highest flights but the one that rises very little and falls very little but always dwells in a free, resplendent atmosphere and altitude.
Zarathustra was the first to consider the fight of good and evil the very wheel in the machinery of things: the transposition of morality into the metaphysical realm, as a force, cause, and end in itself, is his work. [...] Zarathustra created this most calamitous error, morality; consequently, he must also be the first to recognize it.
The concepts "soul", "spirit" and last of all the concept "immortal soul" were invented in order to despise the body, in order to make it sick - "holy" - in order to cultivate an attitude of appalling disrespect for all things in life which deserve to be treated seriously i.
When, however, you have an enemy, then do not requite him good for evil: for that would shame him. Instead, prove that he did some good for you. And rather be angry than put to shame! And when you are cursed, I do not like it that you want to bless. Rather curse a little also! And if you are done a great injustice, then quickly add five small ones. Hideous to behold is he who is obsessed with an injustice.
Not infrequently, we encounter copies of important human beings; and here, too, as in the case of paintings, most people prefer the copies to the originals.