Let man only approach his own self with a deep respect, even reverence for all that the creative soul, the God-mystery within us, puts forth. Then we shall all be sound and free. Lewdness is hateful because it impairs our integrity and our proud being. The creative, spontaneous soul sends forth its promptings of desire and aspiration in us. These promptings are our true fate, which is our business to fulfill. A fate dictated from outside, from theory or from circumstance, is a false fate.
It is marriage, perhaps, which had given man the best of his freedom, given him his little kingdom of his own within the big kingdom of the state.... It is a true freedom because it is a true fulfilment, for man, woman and children. Do we then want to break marriage? If we do break it, it means we all fall to a far greater extent under the direct sway of the State.
The trains roared by like projectiles level on the darkness, fuming and burning, making the valley clang with their passage. They were gone, and the lights of the towns and villages glittered in silence.
Along the avenue of cypresses,
All in their scarlet cloaks and surplices
Of linen, go the chanting choristers,
The priests in gold and black, the villagers. . . .
Reason is a supple nymph, and slippery as a fish by nature. She had as leave give her kiss to an absurdity any day, as to syllogistic truth. The absurdity may turn out truer.
Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror.
I can give you a spirit love, I have given you this long, long time; but not embodied passion. See, you are a nun. I have given you what I would give a holy nun...In all our relations no body enters. I do not talk to you through the senses - rather through the spirit. That is why we cannot love in the common sense.
I would rather sit still in a state of peace on a stone than ride in the motor-car of a multi-millionaire and feel the peacelessness of the multi-millionaire poisoning me.
When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can.
Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark
of the arms Plutonic, and pierced with the passion of dense gloom,
among the splendor of torches of darkness, shedding darkness on the
lost bride and her groom.