We make a mistake forsaking England and moving out into the periphery of life. After all, Taormina, Ceylon, Africa, America -- as far as we go, they are only the negation of what we ourselves stand for and are: and we're rather like Jonahs running away from the place we belong.
The words themselves are clean, so are the things to which they apply. But the mind drags in a filthy association, calls up some repulsive emotion. Well, then, cleanse the mind, that is the real job. It is the mind which is the Augean stables, not language.
Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is now no smooth road into the future: but we go round, or scramble over the obstacles. We’ve got to live, no matter how many skies have fallen.
Brute force crushes many plants. Yet the plants rise again. The Pyramids will not last a moment compared with the daisy. And before Buddha or Jesus spoke the nightingale sang, and long after the words of Jesus and Buddha are gone into oblivion the nightingale still will sing. Because it is neither preaching nor commanding nor urging. It is just singing. And in the beginning it was not a Word, but a chirrup.
I would rather sit still in a state of peace on a stone than ride in the motor-car of a multi-millionaire and feel the peacelessness of the multi-millionaire poisoning me.
What is the knocking? What is the knocking at the door in the night? It is somebody who wants to do us harm. No, no, it is the three strange angels. Admit them, admit them.
The East is marvellously interesting for tracing our steps back. But for going forward, it is nothing. All it can hope for is to be fertilised by Europe, so that it can start on a new phase.
Death is ... a travelling asunder into elemental chaos. And from the elemental chaos all is cast forth again into creation. Therefore death also is but a cul-de-sac, a melting-pot.
The Brangwens had lived for generations on the Marsh Farm, in the meadows where the Erewash twisted sluggishly through alder trees, separating Derbyshire from Nottinghamshire.
Why has mankind had such a craving to be imposed upon? Why this lust after imposing creeds, imposing deeds, imposing buildings, imposing language, imposing works of art? The thing becomes an imposition and a weariness at last. Give us things that are alive and flexible, which won't last too long and become an obstruction and a weariness. Even Michelangelo becomes at last a lump and a burden and a bore. It is so hard to see past him.
The reaction to any word may be, in an individual, either a mob-reaction or an individual reaction. It is up to the individual to ask himself: Is my reaction individual, or am I merely reacting from my mob-self? When it comes to the so-called obscene words, I should say that hardly one person in a million escapes mob-reaction.
Melville had to fight, fight against the existing world, against his own very self. Only he would never quite put the knife in the heart of his paradisal ideal. Somehow, somewhere, somewhen, love should be a fulfillment, and life should be a thing of bliss. That was his fixed ideal. Fata Morgana. That was the pin he tortured himself on, like a pinned-down butterfly.