I would rather sit still in a state of peace on a stone than ride in the motor-car of a multi-millionaire and feel the peacelessness of the multi-millionaire poisoning me.
If we had reverence for our life, our life would take at once religious form. But as it is, in our filthy irreverence, it remains a disgusting slough, where each one of us goes so thoroughly disguised in dirt that we are all alike and indistinguishab
California is a queer place in a way, it has turned its back on the world, and looks into the void Pacific. It is absolutely selfish, very empty, but not false, and at least, not full of false effort.
You will not easily get a man to believe that his carnal love for the woman he has made his wife is as high a love as that he feltfor his mother or sister.
Once you abstract from this, once you generalize and postulate Universals, you have departed from the creative reality, and entered the realm of static fixity, mechanism, materialism.
I am convinced that the majority of people to-day have good, generous feelings which they can never know, never experience, because of some fear, some repression. I do not believe that people would be villains, thieves, murderers and sexual criminals if they were freed from legal restraint.
The world fears a new experience more than it fears anything. Because a new experience displaces so many old experiences. . . . The world doesn't fear a new idea. It can pigeon-hole any idea. But it can't pigeon-hole a real new experience.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
And then she realized that his presence was the wall, his presence was destroying her. Unless she could break out, she must die most fearfully, walled up in horror. And he was the wall. She must break down the wall. She must break him down before her, the awful obstruction of him who obstructed her life to the last. It must be done, or she must perish most horribly.