Many of us, utterly overcome by Tamas, the dark and heavy demon of inertia, are saying nowadays that it is impossible, that India is decayed, bloodless and lifeless, too weak ever to recover; that our race is doomed to extinction. It is a foolish and idle saying. No man or nation need be weak unless he chooses, no man or nation need perish unless he deliberately chooses extinction.
Let us leave our old friend in one of those moments of unmixed happiness which, if we seek them, there are ever some, to cheer our transitory existence here. There are dark shadows on the earth, but its lights are stronger in the contrast.
Time that is moved by little fidget wheels Is not myTime, the flood that does not flow. Between the double and the single bell Of a ship's hour, between a round of bells From the dark warship riding there below, I have lived many lives, and this one life Of Joe, long dead, who lives between five bells.
I had started out with the intent to make a love story and something not so grave or so dark.So I went into this saying, "I want to do a love story, not to be seen with rose-colored glasses, but not as heavy." As it turned out, it surprised me the place where it led actually was something so painful. I identified so much with them that I experienced a lot of that suffering as well.
I learned that the search for God is a Dark Night, that Faith is a Dark Night. And that’s hardly a surprise really, because for us each day is a dark night. None of us knows what might happen even the next minute, and yet still we go forward. Because we trust. Because we have Faith.
I have seen the dark universe yawning Where the black planets roll without aim, Where they roll in their horror unheeded, Without knowledge, or lustre, or name.
It is absolutely necessary, for the peace and safety of mankind, that some of earth's dark, dead corners and unplumbed depths be left alone; lest sleeping abnormalities wake to resurgent life, and blasphemously surviving nightmares squirm and splash out of their black lairs to newer and wider conquests.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
I was coming from a very cerebral, dark, difficult, layered play by Christopher Hampton and doing an action movie in Hollywood (Die Hard) with explosions, and I was holding a gun.