Science is not a sacred cow. Science is a horse. Don’t worship it. Feed it.
[Addressing a group of prospective contributors to an Israeli scientific research program]
The winter evening settles down With smell of steaks in passageways. Six o'clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps.
We shall not attempt to give the reader an idea of that tetrahedron nose-that horse-shoe mouth-that small left eye over-shadowed by a red bushy brow, while the right eye disappeared entirely under an enormous wart-of those straggling teeth with breaches here and there like the battlements of a fortress-of that horny lip, over which one of those teeth projected like the tusk of an elephant-of that forked chin-and, above all, of the expression diffused over the whole-that mixture of malice, astonishment, and melancholy. Let the reader, if he can, figure to himself this combination.
Pride can go without domestics, without fine clothes, can live in a house with two rooms, can eat potato, purslain, beans, lyed corn, can work on the soil, can travel afoot, can talk with poor men, or sit silent well contented with fine saloons. But vanity costs money, labor, horses, men, women, health and peace, and is still nothing at last; a long way leading nowhere.--Only one drawback; proud people are intolerably selfish, and the vain are gentle and giving.
My family and I reside on a non-working farm, although we have a couple of horses and the usual stuff like pigs, cows, and chickens. We really don't have an honest-to-goodness farm, more of a hobby farm.
For all symbols are fluxional; all language is vehicular and transitive, and is good, as ferries and horses are, for conveyance, not as farms and houses are, for homestead.
Sure as the most certain sure .... plumb in the uprights, well entreated, braced in the beams, Stout as a horse, affectionate, haughty, electrical, I and this mystery we stand. Clear and sweet is my soul .... and clear and sweet is all that is not my soul, Lack one lacks both .... and the unseen is proved by the seen Till that becomes unseen and receives proof in its turn. To elaborate is no avail .... Learned and unlearned feel that it is so.
Don Pedro - (...)'In time the savage bull doth bear the yoke.' Benedick - The savage bull may, but if ever the sensible Benedick bear it, pluck off the bull's horns and set them in my forehead, and let me be vildly painted; and in such great letters as they writes, 'Here is good horse for hire', let them signify under my sign, 'Here you may see Benedick the married man.
Americans have a taste for…rocking-chairs. A flippant critic might suggest that they select rocking-chairs so that, even when they are sitting down, they need not be sitting still. Something of this restlessness in the race may really be involved in the matter; but I think the deeper significance of the rocking-chair may still be found in the deeper symbolism of the rocking-horse. I think there is behind all this fresh and facile use of wood a certain spirit that is childish in the good sense of the word; something that is innocent, and easily pleased.
The folkish philosophy of life must succeed in bringing about that nobler age in which men no longer are concerned with breeding dogs, horses, and cats, but in elevating man himself.
You cannot love a car the way you love a horse. The horse brings out human feelings the way machines cannot do. Things like machines may develop or neglect certain things in people ... Machines make our life impersonal and stultify certain elements in us and create an impersonal environment.
The winter evening settles down With smell of steaks in passageways. Six o'clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps.