Error is multiform (for evil is a form of the unlimited, as in the old Pythagorean imagery, and good of the limited), whereas success is possible in one way only (which is why it is easy to fail and difficult to succeed - easy to miss the target and difficult to hit it); so this is another reason why excess and deficiency are a mark of vice, and observance of the mean a mark of virtue: Goodness is simple, badness is manifold.
Anna Petrovna (to Shabelsky): You can't make a simple joke without an injection of venom. You are a poisonous man. Joking apart, Count, you're very poisonous. It's hideously boring to live with you. You're always grumpy, complaining, you find everyone bad, good for nothing. Tell me frankly, Count, did you ever speak well of anyone?
The sin of capitalism, perhaps, is to make wants feel like needs, to give to simple silly stuff the urgency of near-physical necessity: I must have it. The grace of capitalism is to make wants feel like hopes, so that material objects and stuff can feel like the possibility of something heroic and civic.
The law of violence is not a law, but a simple fact which can only be a law when it does not meet with protest and opposition. It is like the cold, darkness and weight, which people had to put up with until recently when warmth, illumination and leverage were discovered.
Most contemporary novels are not really "written." They obtain what reality they have largely from an accurate rendering of the noises that human beings currently make in their daily simple needs of communication; and what part of a novel is not composed of these noises consists of a prose which is no more alive than that of a competent newspaper writer or government official. A prose that is altogether alive demands something of the reader that the ordinary novel-reader is not prepared to give.
A phenomenon often seen. A sceptic adhering to a believer; that is as simple as the law of the complementary colours. What we lack attracts us. Nobody loves the light like the blind man.
Why should I blame her that she filled my days With misery, or that she would of late Have taught to ignorant men most violent ways, Or hurled the little streets upon the great, Had they but courage equal to desire? What could have made her peaceful with a mind That nobleness made simple as a fire, With beauty like a tightened bow, a kind That is not natural in an age like this Being high and solitary and most stern? Why, what could she have done, being what she is? Was there another Troy for her to burn?
The master was an old Turtle--we used to call him Tortoise--' Why did you call him Tortoise, if he wasn't one?' Alice asked. We called him Tortoise because he taught us,' said the Mock Turtle angrily; 'really you are very dull!' You ought to be ashamed of yourself for asking such a simple question,' added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth.