Because I'm CGI, [John Swartz] gave me a role of an Imperial pilot in one scene, so I had a day where I was on camera dressed as a black suit and a little cap that they wear.
When I was 12 I made some little films with my friends. I tried to make gangster films, like Fantomas, but I remember being very disappointed with them. They weren't frightening at all. I'm sure they'd be very funny now.
To sing the ballad with a knowingness about what you are talking about. If it's somebody else's lyric, and the message is a little unusual for you, it requires that you learn that new message.
Our friends - how distant, how mute, how seldom visited and little known. And I, too, am dim to my friends and unknown; a phantom, sometimes seen, often not. Life is a dream surely.
There was much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust.
Even when you go up ramp, and you think about [Franklin D. Roosevelt] wheeling himself up, you know, got a little cigarette holder in his mouth, and it, that, that awe that you feel, that reverence that you feel for the place never entirely leaves.
Mingle a little folly with your wisdom; a little nonsense now and then is pleasant. [Lat., Misce stultitiam consiliis brevem: Dulce est desipere in loco.
You've often heard me say - perhaps too often - that poetry is what is lost in translation. It is also what is lost in interpretation. That little poem means just what it says and it says what it means, nothing less but nothing more.
We are masters of our actions from the beginning up to the very end. But, in the case of our habits, we are only masters of their commencement - each particular little increase being as imperceptible as in the case of bodily infirmities. But yet our habits are voluntary, in that it was once in our power to adopt or not to adopt such or such a course of conduct.