It's been hard for me to not write, and that's the only process I can speak to I guess, it's so compulsive and I need to do it all the time that sometimes I make myself not do it so I can actually tend to my life.
Good editorial writing has less to do with winning an argument, since the other side is mostly not listening, than with telling the guys on your side how they ought to sound when they’re arguing.
What is with waiters who don't write anything down and memorize your order instead? Are you trying to impress me or something? If you were that smart you wouldn't be a goddamn waiter in the first place.
It takes me three months of research and nine months of work to produce a book. When I start writing, I do two pages a day; if I'm gonna do 320, that's 160 days.
Like a pianist runs her fingers over the keys, I'll search my mind for what to say. Now, the poem may want you to write it. And then sometimes you see a situation and think, 'I'd like to write about that.' Those are two different ways of being approached by a poem, or approaching a poem.
I have for a long time loved fabulist, imaginative fiction, such as the writing of Italo Calvino, Jose Saramago, Michael Bulgakov, and Salman Rushdie. I also like the magic realist writers, such as Borges and Marquez, and feel that interesting truths can be learned about our world by exploring highly distorted worlds.
So in writing, there is always a right word, and every other than that is wrong. There is no beauty in words except in their collocation. The effect of a fanciful word misplaced, is like that of a horn of exquisite polish growing on a human head.