If you love a person, you say to that person, "Look, I love you, whatever that may be. I've seen quite a bit of it and I know there's lots that I haven't seen, but still it's you and I want you to be what you want to be. And I won't be happy if I've got you in a cage. You'd be a bird without song."
I make charts of songs that are good candidates, good targets, so to speak. Then I try to come up with ideas for parodies. And 99% of those ideas are horrible.
I do original songs in the style of other artists, where I try to learn all their musical idiosyncrasies and try to do something that sounds like them and yet is a bit more sick and twisted.
I made my song a coat Covered with embroideries Out of old mythologies From heel to throat But the fools caught it, Wore it in the world's eyes As though they'd wrought it. Song, let them take it, For there's more enterprise In walking naked.
Gentle lady, do not sing Sad songs about the end of love; Lay aside sadness and sing How love that passes is enough. Sing about the long deep sleep Of lovers that are dead, and how In the grave all love shall sleep: Love is aweary now.
I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs, all talk of woman's fickleness. But perhaps you will say, these were all written by men." "Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything.
By fate, not option, frugal Nature gave One scent to hyson and to wall-flower, One sound to pine-groves and to water-falls, One aspect to the desert and the lake. It was her stern necessity : all things Are of one pattern made; bird, beast, and flower, Song, picture, form, space, thought, and character Deceive us, seeming to be many things, And are but one.
Everything I do is about setting up for the next. I think that my confidence and belief in myself as well as the music and trusting my judgment of my songs really grew the most.
The song I came to sing remains unsung to this day. I have spent my days in stringing and in unstringing my instrument. The time has not come true, the words have not been rightly set; only there is the agony of wishing in my heart….. I have not seen his face, nor have I listened to his voice; only I have heard his gentle footsteps from the road before my house….. But the lamp has not been lit and I cannot ask him into my house; I live in the hope of meeting with him; but this meeting is not yet.
The way I write my songs is that I have to believe what I’m writing about, and that’s why they always end up being so personal - because the kind of artists I like, they convince me, they totally win me over straight away in that thing. Like, “Oh my God, this song is totally about me.”