A red rose peeping through a white? Or else a cherry (double graced) Within a lily? Centre placed? Or ever marked the pretty beam, A strawberry shows, half drowned in cream? Or seen rich rubies blushing through A pure smooth pearl, and orient too? So like to this, nay all the rest, Is each neat niplet of her breast.
The rose is a rose,
And was always a rose.
But the theory now goes
That the apple's a rose,
And the pear is, and so's
The plum, I suppose.
The dear only knows
What will next prove a rose.
You, of course, are a rose -
But were always a rose.
Say she rail; why, I'll tell her plain She sings as sweetly as a nightingale. Say that she frown; I'll say she looks as clear As morning roses newly wash'd with dew. Say she be mute and will not speak a word; Then I'll commend her volubility, and say she uttereth piercing eloquence.
Beauty is only to be admired, only to be loved - to be harvested carefully and then flung at a chosen lover like a gift of roses. It seems to me, so far as I can judge clearly at all, that my beauty would be used like that.
The rose is a rose from the time it is a seed to the time it dies. Within it, at all times, it contains its whole potential. It seems to be constantly in the process of change: Yet at each state, at each moment, it is perfectly all right as it is.