I don't think there's ever been a moment in history where that, as an artistic message, has played very well, because people in their hearts know that's terrible and a lie.
I think American culture had just become so disengaged from the process of government, and we'd been so fuzzed out by our pop culture around us, that I don't think people really saw this guy for what he was.
When you screen it the first couple times, you're just trying to get the movie to work, trying to get the story to flow, trying to find out where your areas are where you have enough breath to laugh a little bit. So you're doing that the first two or three screenings, and then finally, you dial the movie in and it's working, and at that point, it's 50/50 as far as what's funny and what's working. Sometimes you'll put something in and it will just die so hard that it'll almost kill the movie.
It so happens that America, according to all the polls that are out there, is pretty progressive. So you're not going to see messages that support Ayn Randian individualism at the cost of the whole, because most people don't agree with that.
Hollywood has to appeal to the broadest audience, and when it comes to most social and economic issues, America is progressive. Because of that, the messages that are in Hollywood movies tend to be, for instance, pro-environment.
Hollywood is for-profit, is what Hollywood is. All the studios are owned by big, megacorporations that are the furthest thing from liberal you can possibly imagine.
Everyone is sort of in their own little area counting lines and no one talks when film's not rolling. There's constantly actors coming to me back behind the monitor screaming at me, "Why did my line count drop?" It's a nasty tense environment.